William Myers is a curator, author, and teacher based in Amsterdam. His book Biodesign (2018) identifies the emerging practice of integrating biological processes into design and architecture. It is published by the Museum of Modern Art (MoMA) in New York and Thames & Hudson worldwide. His book Bio Art: Altered Realities (2015) profiles art that uses biology in new ways or responds to advances in the life sciences which disrupt our concepts of identity, nature, or the definition of life.
Current projects include: organizing a new exhibition on the life sciences at MIT Museum, curating exhibitions for the new Science Gallery Rotterdam, writing a new book about creativity and machine learning, and incubating a new Museum of 21st Century Design (M21D).
His recent exhibitions include Biodesign: From Inspiration to Integration at RISD, Humans Need Not Apply at Science Gallery Dublin, and Human + Artificial Creativity in Istanbul and in Łódź. The work examining the impacts of artificial intelligence on how we work, socialize, and express ourselves creatively is detailed in accompanying catalogue essays. These argue for updating our social infrastructure of education, taxation, and labor unions.
Past exhibitions include ReShape, Life Time, Fluid Matter, and Matter of Life at MU Artspace in Eindhoven, Biodesign in Rotterdam at Het Nieuwe Instituut, and Cut/Paste/Grow at Proteus Gowanus in Brooklyn, New York. William's writing and exhibitions have been profiled in the journal Science, The New York Times, The Wall Street Journal, Smithsonian Magazine, Volkskrant, Domus, and Folha de São Paulo, among others. William has been an invited presenter at Harvard University, Tate Modern, MoMA, Stedelijk Museum Amsterdam, Universitário Belas Artes de São Paulo, Oxford University, International University of Catalunya, Leiden University, the Royal College of Art, RMIT, and Genspace, the first community biotech lab in the United States.
William also serves as the jury chairman for the Bio Art and Design Awards in the Netherlands, granting €75.000 each year to create new works. Previously he worked for the Museum of Modern Art (MoMA), the Guggenheim Museum, the Smithsonian Cooper-Hewitt National Design Museum, Hunter College, Vitra Design Museum, TU Delft, MIT Museum, Design Academy Eindhoven, Sciences Galleries in Dublin and Rotterdam, and Het Nieuwe Instituut in Rotterdam.
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